\version "2.6.0" % Nocturne No. 19 in E minor % F. Chopin - Op. 72, No. 1 % % typeset by Benjamin Esham % % This file was last updated on 2005-07-21. % % This music is part of the Mutopia project (http://www.MutopiaProject.org/). % Copyright (c) The Mutopia Project and Benjamin Esham, 2004. % % This work is licensed under the Creative Commons Attribution-ShareAlike License 2.5. % To view a copy of that license visit % http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, % 559 Nathan Abbott Way, Stanford, California 94305, USA. % % HISTORY % % - 2004-12-13: initial release % - 2005-07-21: updated version to 2.6.0 (though with no actual changes) % NOTES % % - There are no fingerings in this version. I'll add them in a later version % (hopefully soon). % % BUGS -- if you have ideas for fixing any of these, please e-mail me! % % - MIDI output is broken-- there is a noticeable delay between the top and bottom % voices by the end of the song. This may be caused by acciaccatura. % - A number of phrasing slurs are used; these should be "normal" slurs, but those % would be broken by acciaccatura. % - The grand staff should be labelled with a large "19.". % - The grace note at the end of measure 30 in the right hand should be slurred % to the G dotted half note in measure 31. % - In measure 51, the D quarter note in the right hand should be tied to the D eighth % note immediately after it, and there should be an arpeggiation sign to the left of % the D quarter note and the G eighth note above it. % - In the right hand in measure 36, the grace notes should not be slurred. % - In the right hand in measures 13 and 42, the first G eighth note (in the upper % voice) should be tied to the second one (in the lower voice). % - In the right hand in measure 45, the grace notes (F-sharp and E) should be slurred. %% %% MACROS %% % some stuff to assist with polyphony up = {\stemUp \slurUp \phrasingSlurUp} down = {\stemDown \slurDown \phrasingSlurDown} sreset = {\stemNeutral \slurNeutral \phrasingSlurNeutral} % don't display the numbers (or brackets) on tuplets tupletNumbersOff = { \override TupletBracket #'bracket-visibility = ##f \override TupletBracket #'number-visibility = ##f } % reset \tupletNumbersOff tupletNumbersOn = { \revert TupletBracket #'bracket-visibility \revert TupletBracket #'number-visibility } % display the tuplet number for this next tuplet only tupletNumbersOnce = { \once \override TupletBracket #'number-visibility = ##t } % shorter versions of the pedal commands pd = \sustainDown pu = \sustainUp %% %% MUSIC %% rightNotes = \relative c''{ \time 4/4 \key e \minor \clef treble \set Staff.tupletSpannerDuration = #(ly:make-moment 1 4) \tupletNumbersOff \context Voice = main { % this is a kludge to get the text to be left-aligned in the measure but keep % the rest center-aligned in the measure. s4*0^\markup{\large{\bold{Andante (\note #"4" #0.8 = 69)}}} _\markup{\dynamic p \bold{\italic{molto legato}}} R1 \acciaccatura b8 g'2._\markup{\bold\italic espress.}( fis8 e) dis2( ~ dis4 e8. c16) b4.( fis8-\> -\!) % measure 5 4-\<^( -\!-\> 8-\!) r r4 4-\p^( << \context Voice = main { \up b'2 cis4 d2) d4( d_\markup{\italic dim.} cis1 b4) \sreset } \\ { \down f4 fis_\markup{\italic cresc.} ais b2 b b2 ais b4 } >> dis,4-\<^( \once \override TextScript #'extra-offset = #'(0.0 . 1.0) e^\markup{\italic riten.} fis-\!) % measure 10 \once \override TextScript #'extra-offset = #'(0.0 . 1.0) 2.-\mf^\markup{\italic{a tempo}}( 8 8) \tupletNumbersOn 2( ~ \times 2/3 { 8-\< ) ( -\!) } \tupletNumbersOff 4.( << \context Voice = main { \up \tupletNumbersOnce b8) b4( \times 2/3 { b8 a g) } fis4( \times 2/3 { g8 e' e } dis2) \tieUp d!2( ~ d4 c ~ % measure 15 c8 \tieNeutral b \once \override Script #'extra-offset = #'(0.0 . 1.2) a-\trill g g4) g8 g a4( a8 a a4 a8 a) b4( b8 b b4 ) 2 cis dis2( e4-\> b-\! % measure 20 ais2 b) b2^>( ais 2-\pp) \sreset } \\ { \down a'8 \times 2/3 { a gis g \tupletNumbersOff g fis e } dis4 \times 2/3 { e8 g g } fis2 fis4-\p g8-\< f e2-\! % measure 15 f2-\> e2-\! 2_\markup{\italic{poco a poco cresc.}} fis! 2 g fis2-\f-\>( b4-\!-\< ais-\!) a!2->_\markup{\dynamic sf \italic dim.} g % measure 20 g4_\markup{\italic dim.} fis8 e d2 cis2.-\> e4-\! s2 } >> r2 % we have to use a phrasing slur because the acciaccatura would break a normal one 2_\markup{\dynamic pp \bold\italic aspiratamente}\( \acciaccatura 8 2 \acciaccatura 8 2.\) 4_\markup{\italic cresc.}( % measure 25 4. 8 << \context Voice = main { \up 8 4-\> 2.-\!) 2-\f( 4. 8 cis'4 b2 b4 ais1 % measure 30 2.^\markup{\italic riten.}) r4 \sreset } \\ { \down s4 ais b1 s1 1 4._\markup{\italic{poco dimin.}} 8 % measure 30 e4->( dis2) s16 s s \acciaccatura b'8 s16 } >> \acciaccatura b8 g'2.-\f^\markup{\italic{a tempo}} b,16-\prall( ais b e \tupletNumbersOn dis2.) \times 4/6 { e16-\<-\prall( dis e fis g a-\! } b2.) \times 4/6 { b16-\<-\prall( cis dis e fis g-\! } \acciaccatura dis,8 fis'4->) e32-\>[( cis ais g! e cis ais e-\!] 4_\markup{\italic dim.}) r % measure 35 d!4-\p( \grace { e16[ fis g a] } \times 2/3 { b8-.)( b-. b-.) } b4( \times 8/10 { ais32-\<-\prall gis ais b cis d! e fis gis ais-\! } b2)\( #(set-octavation 1) << { s4 s16 s s \acciaccatura { ais16[ b cis] } s cis2-\trill cis4-\trill \times 8/11 { bis32-\< cis d dis e eis fis! g gis a! ais-\! } } \\ { b,2^\trill^\markup{\sharp}( b2) ais2 } >> 4-\f\) #(set-octavation 0) dis,,4-\<^( e fis-\!) 2.-\f( 8 ) % measure 40 2( ~ \times 2/3 { 8-\< [ ) r16 -\!] } \tupletNumbersOff \times 2/3 { 8-\ff( ) b\(( ) } << \context Voice = main { \up \times 2/3 { b8 b b b a g\) } \sreset } \\ { \down \tupletNumbersOff \times 2/3 { a8-\> gis g-\! g-\> fis e-\! } } >> << { fis4( \tupletNumbersOff \times 2/3 { g8 e' e } dis2) dis2( ~ dis4 dis e2 e4 e % measure 45 g2 \acciaccatura { fis16[ e] } e4 dis4 } \\ { dis,4 \tupletNumbersOff \times 2/3 { e8 g g } fis2 2-\sf ~ 2 % measure 45 2_\markup{\italic dimin.} -> } >> 2. r4 % phrasing slur because acciaccatura breaks normal slur 2_\markup{\dynamic pp \bold\italic dolcissimo}\( << { s4 s16 s s \acciaccatura 8 s16 } >> 2.\) 4( 4._\markup{\italic{poco cresc.}} 8 << \context Voice = main { \up 8 % measure 50 4 4_\markup{\italic dim.}) \sreset } \\ { \down s4 dis4 % measure 50 e2 } >> r2 << { \up \tupletNumbersOff % phrasing slur because acciaccatura breaks normal slur 4\( ~ \times 2/3 { 8 } gis8 fis ~ \times 2/3 { 8 } \acciaccatura fis8 e2\) \sreset } \\ { r4-\p gis,2*1/2 d'!4 gis,4 2 } >> r2 << \context Voice = main { \up dis1( \sreset } \\ { \down 4.-\> 8-\! 8 } >> 2._\markup{\italic dim.}) r4 % measure 55 2.-\pp^( 4 4_\markup{\bold\italic calando}) r4 r2 \clef bass e,,2.^> r4 \bar "|." } % end of Voice context } % this part is only separate from the rest of the left hand so that the other part can % be put in a single \times block. the two are then \partcombined. leftQuarterNotes = \relative c' { s1*8 % measure 8 s4 a! g fis s1*24 % measure 34 s4 g b s4 s1*3 % measure 38 s4 a! g fis s1*19 } leftNotes = \relative c' { \time 4/4 \key e \minor \clef bass \set Staff.tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 { e,,8\pd( b' g' e c'\pu b) \tupletNumbersOff e,,\pd( b' g' e c'\pu b) \once \override TextScript #'extra-offset = #'(0.0 . -2.5) e,,\pd_\markup{\bold{\italic{sempre legato}}}( b' g' e c'\pu b) e,,\pd( b' g' e c'\pu b) fis,\pd b a' fis c'\pu b g,\pd b g' e c'\pu b dis,,\pd b' a' fis c' b\pu e,,\pd b' g' e c' b\pu % measure 5 b,,\pd b' b'\pu ais\pd g ais,\pu b\pd b, b' dis fis b\pu g,\pd( d' b' g\pu e' d) fis,,\pd( fis' cis' e cis fis,\pu) b,\pd( fis' d' b g'\pu fis eis\pd d b gis eis eis,\pu) % partcombining messes up these measures unless manual directions and beaming are given fis\pd^( fis' cis' e! g!\pu fis e\pd cis ais \stemUp fis fis, fis,\pu b\pd)^[ b'( fis'] \stemNeutral a! c! b g c b fis c' b) % measure 10 e,,\pd b' g' e c'\pu b e,,\pd b' g' e c'\pu b fis,\pd b a' fis c'\pu b g,\pd b g' e c'\pu b dis,,\pd b' a' fis c'\pu b e,,\pd b' g' e c'\pu b b,,\pd b' b'\pu ais\pd b, b,\pu b'\pd b, b' dis fis b\pu b,\pd b, b' d! g\pu b c\pd b c g e c\pu % measure 15 g\pd d' g b e\pu d c\pd c, e g c e\pu cis\pd cis, e a f'\pu e d,,\pd d' f a e'\pu d dis,,\pd dis' fis! b g'\pu fis e,,\pd e' g b g' e\pu fis,,\pd fis' d'! b g'\pu fis fis,,\pd fis' d' cis g'\pu fis b,,,\pd b' fis' b g'\pu fis e,,\pd e' g b fis'\pu e % measure 20 fis,,\pd cis' e ais d\pu cis fis,,\pd d' fis b ais\pu b fis,\pd cis' eis fis! a!\pu g fis,\pd cis' eis fis! eis\pu fis b,,\pd fis' fis' dis cis b b, fis' fis' dis cis b\pu b,\pd fis' fis' dis cis b b, fis' fis' dis cis b\pu b,\pd b' gis' e cis b b, b' gis' e cis b\pu % measure 25 b,\pd b' g'! e cis b\pu b,\pd b' g' e cis b\pu b,\pd fis' fis' dis cis b b, fis' fis' dis cis b\pu b,\pd fis' fis' dis cis b\pu b,\pd fis' fis' dis cis b\pu b,\pd b' gis' e cis b\pu b,\pd b' gis' e cis b\pu b,\pd b' g'! e cis b\pu b,\pd b' g' e cis b\pu % measure 30 b,-\<\pd b' fis' a c! b a fis dis c b b,-\! e\pd( b' g' e c'\pu b) e,,\pd( b' g' e c'\pu b) fis,\pd( b a' fis c'\pu b) g,\pd( b g' e\pu c' b) dis,,\pd( b' a' fis c'\pu b) e,,\pd( b' g' e c'!\pu b) b,,\pd b' fis'\pu g\pd b, ais'\pu b\pd b,( ais\pu b dis fis) % measure 35 g,\pd d'! b' g\pu e' d fis,,\pd fis' d' e\pu cis fis, b,\pd fis' d' b g'\pu fis eis\pd d b eis, d eis,\pu fis\pd fis' cis' e g\pu fis e\pd cis ais fis fis, fis,\pu b\pd b' fis' a! c! b\pu g c b fis[ c' b] % partcombining splits this beam otherwise e,,\pd b' g' e c'\pu b e,,\pd b' g' e c'\pu b % measure 40 fis,\pd b a' fis c'\pu b g,\pd b g' e c'\pu b dis,,\pd b' b' fis c'->\pu b-> e,,\pd b' g' e c'\pu b b,,\pd b' b'\pu ais\pd b, b,\pu b'\pd b, b' dis fis b\pu % beam down to avoid collision with \sf in upper staff \stemDown c c, b \stemNeutral c^\> d! c b b,\pd b' fis' c'\pu b-\! b, b,\pd b' e c'\pu b ais^\< g\pd e ais, g ais,\pu-\! % measure 45 b\pd b' e g c\pu b b,\pd ais b b, ais b\pu e\pd b' b' gis^\> fis e e, b' b' gis fis e\pu-\! e,\pd b' b' gis fis e e, b' b' gis fis e\pu e,\pd e' cis' a fis e e,^\< e' cis' a\pu fis e-\! e,\pd e' c'! a fis e\pu e,\pd e' c' a fis e\pu % measure 50 e,^\>\pd b' b'-\! gis fis e e, b' b' gis fis e\pu e,\pd b' b' gis fis e e, b' b' gis fis e\pu e,\pd e' cis' a fis e e, e' cis' a fis e\pu e,\pd e' c'! a fis e\pu e,\pd e' c' a fis e\pu e,\pd b' b' gis fis e e, b' b' gis fis e\pu % measure 55 e,\pd e' c' a fis e e, e' c' a fis e\pu e,\pd b' b' gis fis e e, b' b' gis fis e\pu_( } 2.->) r4 \bar "|." } %#(set-default-paper-size "letter") #(set-global-staff-size 19) \header { title = "Nocturne" subtitle = \markup{\small Posthumous} composer = "F. Chopin" opus = "Op. 72, No. 1 (1827)" arranger = "Edited by Rafael Joseffy" mutopiatitle = "Nocturne No. 19 in E minor" mutopiacomposer = "ChopinFF" mutopiaopus = "Op. 72, No. 1" mutopiainstrument = "Piano" date = "1827" source = "Schirmer, 1915" style = "Romantic" copyright = "Creative Commons Attribution-ShareAlike 2.5" maintainer = "Benjamin D. Esham" maintainerEmail = "bdesham@gmail.com" footer = "Mutopia-2005/07/21-509" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2005. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } } } \score { \context PianoStaff << %\set PianoStaff.instrument = "19." %\markup{\fontsize #4 {19.} \hspace #1.0 } \new Staff << \rightNotes >> \new Staff << \set Staff.printPartCombineTexts = ##f \partcombine \leftQuarterNotes \leftNotes >> >> \layout { } \midi { \tempo 4 = 70 } }