\version "2.6.0" % Nocturne No. 1 in B-flat minor % F. Chopin - Op. 9, No. 1 % % typeset by Benjamin Esham % % This file was last updated on 2005-08-07. % % This music is part of the Mutopia project (http://www.MutopiaProject.org/). % Copyright (c) The Mutopia Project and Benjamin Esham, 2005. % % This work is licensed under the Creative Commons Attribution-ShareAlike License 2.5. % To view a copy of that license visit http://creativecommons.org/licenses/by-sa/2.5/ % or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, CA 94305, USA. % % NOTES % % - There are no fingerings in this version. I'll probably add them in a later version. %% %% MACROS %% % some stuff to assist with polyphony up = {\stemUp \slurUp \tieUp \phrasingSlurUp} down = {\stemDown \slurDown \tieDown \phrasingSlurDown} sreset = {\stemNeutral \slurNeutral \tieNeutral \phrasingSlurNeutral} % don't display the numbers (or brackets) on tuplets tupletNumbersOff = { \override TupletBracket #'bracket-visibility = ##f \override TupletBracket #'number-visibility = ##f } % reset \tupletNumbersOff tupletNumbersOn = { \revert TupletBracket #'bracket-visibility \revert TupletBracket #'number-visibility } % display the tuplet number for this next tuplet only tupletNumbersOnce = { \once \override TupletBracket #'number-visibility = ##t } % options for breaking up tuplets quarterTuplets = { \set tupletSpannerDuration = #(ly:make-moment 1 4) } halfBarTuplets = { \set tupletSpannerDuration = #(ly:make-moment 3 4) } wholeBarTuplets = { \set tupletSpannerDuration = #(ly:make-moment 6 4) } % shorter versions of the pedal commands pd = \sustainDown pu = \sustainUp %% %% MUSIC %% rightNotes = \relative c'''{ \time 6/4 \key bes \minor \clef treble #(override-auto-beam-setting '(end * * * *) 6 8 'Staff) \set Staff.extraNatural = ##f \context Voice = main { \partial 2. bes8_\markup{\dynamic p \italic espress.}( c des a bes ges f4-.-\<)( f-. f-.) f-\! ges8-\>( f ees c-\!) des2-\>( bes4-\!) \times 6/11 { bes'8( c des a bes a gis a c bes ges) } \wholeBarTuplets \times 12/22 { f8[( ges e f bes-. a-. aes-. g-. ges-. f-. e-. ees-. d-. des-. c des c b c f e ees]) } des2->( bes4) bes'4-.-\<( bes-. bes-.-\!) % measure 5 aes2._\markup{\dynamic{fz p}}( ~ << \context Voice = main { \up aes2 ~ aes8 ges \sreset } \\ { \down des4-> bes8-\< c des ges-\! } >> f2.->) ees4( f8-\> ees des beses-\! aes2) des4( ees_\markup{\italic smorz.} f8 ees des ees f2.) bes8-\p-\>\( c des a \acciaccatura c8 bes ges-\!\) f4-.-\<( f-. f-.-\!) f( ges8-\> f ees c-\!) % measure 10 des2->( bes4) \times 6/11 { bes'8( c des a bes \once \override Hairpin #'extra-offset = #'(0.0 . -1.0) a-\< gis a c bes ges) } \once \override Hairpin #'extra-offset = #'(0.0 . -1.0) \once \override TextScript #'extra-offset = #'(0.0 . 0.8) \once \override OttavaBracket #'extra-offset = #'(0.0 . 1.0) \tupletNumbersOff \quarterTuplets \times 2/3 { f8-|-\!-\>_\markup{\italic legatissimo}[ #(set-octavation 1) f''( e] ees[ des c] bes[ ges f] e[ ees des] c-\![ bes a] #(set-octavation 0) ges-\>[ f c-\!]) } \tupletNumbersOn des2-\>( bes4-\!) bes'4-.-\<( bes-. bes-.-\!) bes2->( d,4) ees-\trill( d8 ees ges8.-> f16) f2-\>( e4-\!) \acciaccatura { f16[ ges] } \halfBarTuplets \times 6/7 { f8-\<\( e f g a-. bes-. c-.-\! } % measure 15 \tupletNumbersOff des2_\markup{\dynamic f \italic appassionato} \times 2/3 { bes8( ges? bes,)\) } des2->( c4) \tupletNumbersOn \acciaccatura bes8 f''4.->_\markup{\italic cresc.}( des8 \noBeam \times 2/3 { bes ges bes,) } des2->( c4) \acciaccatura bes8 #(set-octavation 1) des''4_\markup{\italic{con forza}} ~ \tupletNumbersOff \times 2/3 { des8[ bes-. ges-.] #(set-octavation 0) des-.[ bes-. bes,-.] } ces2->( a4-\p \tupletNumbersOn bes2.) r2 r4 \once \override TextScript #'extra-offset = #'(0.0 . 1.6) 2.-\pp^\markup{\italic{sotto voce}}( % measure 20 8 4 2-> 4-\< 2-> 4 2->-\! 8 4-\> 2.-\!) 2._\markup{\italic{poco rallent.}}( 8-\ppp 4 2.->) % measure 25 8( 4 2.-\f^\markup{\italic{a tempo}})( 2._\markup{\italic cresc.} 2.) 2.-\p( 8 4 2-> 4-\< 2-> 4 2-> % measure 30 8 -\!-\> 4 \acciaccatura 8\( 2.-\!\)) 2._\markup{\italic{poco rallent.}}( 8-\ppp 4 2.->) 8( 4 2.^\markup{\italic{a tempo}})( 2. 2.) % measure 35 2._\markup{\dynamic f \italic{poco stretto}}( 4 8-\< -\!) 4-\>( -\!) 4-> ~ 4( 8-\> -\!) 4( 8-\> -\!) 1_\markup{\dynamic{fz p}}^( ~ 4-\< 4-\!) 2._\markup{\italic{poco rallent.}}( % measure 40 8-\ppp 4 2.->) 8( 4 2.-\f^\markup{\italic{a tempo}})( 2. 2.) 2._\markup{\dynamic f \italic{poco stretto}}( 4 8-\< -\!) 4-\>( -\!) 4-> ~ % measure 45 4( 8-\> -\!) 4( 8-\> -\!) 1_\markup{\dynamic{fz p}}^( ~ 4-\< 4-\!) 2._\markup{\italic{poco rallent.}}( 8-\ppp 4 2.) 8( 4 2.-\f^\markup{\italic{a tempo}})( % measure 50 2. 2.) << \context Voice = main { \up f'2^>( ees8 f) ees2( des4) \sreset } \\ { \down 2.-\ff } >> 4.( 8 4.) r8 r4 << \context Voice = main { \up f2( ees8 f) ees2^>( des4) \sreset } \\ { \down 1 2 } >> 8( 2.) % measure 55 4.->_\markup{\italic{con forza}}( 8 ) 2( 4 << \context Voice = main { \up 2.^> ) \sreset } \\ { \down ces1. } >> 4.->-\pp( 8 ) 2^( << \context Voice = main { \up ges'4 2.^> ) \sreset } \\ { \down 4 ~ ces1. } >> R1. % measure 60 R1. 2->_\markup{\dynamic ppp \italic legatissimo}( 8 ) 2( 4) 4.( 8 4.) r8 r4 2( 8 ) 2( 4) 8( 2.) % measure 65 4._\markup{\italic{sempre pianissimo}}( 8 ) 2( 4 2. ) 1.->_\markup{\dynamic fz} ~ 1. ~ 1._\markup{\italic smorz.} % measure 70 r2_\markup{\italic{rall. e dolciss.}} r4 bes'8( c des a-> bes-> ges) \once \override TextScript #'extra-offset = #'(0.0 . 1.4) f4-.^\markup{\italic{a tempo}}( f-. f-.) f( ges8 f ees c des2 bes4) bes'8( c des a \times 2/3 { c8 bes ges) } \tupletNumbersOff \times 2/3 { f8[( ges e] f[) #(set-octavation 1) f''_\markup{\italic legatissimo}( e] ees[ des c] } \tupletNumbersOn \halfBarTuplets \times 6/20 { bes a ges f e ees des c bes a ges #(set-octavation 0) f ges e? f b, c e ees des) } des2( bes4-\<) bes'4-.( bes-. bes-.-\!) % measure 75 bes2-\>( d,4-\!) \times 6/7 { ees8( f ees d ees ges8.-> f16) } f2-\>( e4-\!) f4^\trill^\markup{\flat} \grace { e16[( f] } g8-\<)-.( a-. bes-. c-.-\!) des2-\f( \times 2/3 { bes8 ges? bes,) } des2->( c4) \acciaccatura bes8 f''4._\markup{\italic cresc.}( des8 \noBeam \times 2/3 { bes ges bes,) } des2->( c4) \acciaccatura bes8 #(set-octavation 1) des''4-\ff ~ \tupletNumbersOff \times 2/3 { des8[ bes-. ges-.] #(set-octavation 0) des-.[ bes-. bes,-.] } ces2->( a4_\markup{\italic dimin.} % measure 80 bes2.-\p) ces2->( a4 bes2._\markup{\italic smorz.}) ces16->[( ees ges ces] ees8) r8 r8 a,,8( \break % including this makes a system look horrible for a4, but leaving it out makes that % system look horrible for both a4 and letter. bes2) r4 2.->-\ff ~ 8_\markup{\italic accelerando} -> -> -> -> -> \stemDown ->_\markup{\italic dimin.} -> -> -> \change Staff = "down" \stemUp 8->^\markup{\italic ritenuto \dynamic ppp} -> \change Staff = "up" s1. % measure 85 s1. \bar "|." } % end of Voice context } leftNotes = \relative c { #(override-auto-beam-setting '(end * * * *) 6 8 'Staff) \time 6/4 \key bes \minor \clef bass \context Voice = main { \stemDown \partial 2. r2 r4 bes8\pd( f' des' bes f'\pu f,) bes,\pd( f' ees' a, f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' ees' a, f' f,\pu) bes,\pd( f' des' bes f' f,) bes,( f' des' bes f' f,\pu) % measure 5 des,\pd( f' des' aes f' f,\pu) ges,\pd( des' bes' ges des' des,\pu) des,\pd( des' aes' f des' des,\pu) ges,\pd( des' beses' ges des' des,\pu) des,\pd( des' aes' f des' des,\pu) ges,\pd( des' beses' ges ees'\pu c,) f,\pd( c' a' f ees' a,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' des' bes f'\pu f,) bes,\pd( f' ees' a, f' f,\pu) % measure 10 bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' ees' a, f' f,\pu) bes,\pd( f' des' bes f' f,) bes,( f' des' bes f' f,\pu) bes,\pd( f' d' bes aes'\pu bes,) ees,\pd( ges ees' bes ges' ees\pu) c,\pd( g' e' c bes'\pu c,) f,\pd( c' \clef treble a' ees c' a\pu) % measure 15 \clef bass bes,,\pd( f' des' bes ees,\pu ges') << { s8 f,2 s8 } \\ { f,8\pd^( f' bes f' ees\pu a,) } >> bes,8\pd( f' des' bes ees,\pu ges') << { s8 f,2 s8 } \\ { f,8\pd^( f' bes f' ees\pu a,) } >> ges,8\pd( des' ges bes fes'\pu ges,) << { ees2 f4 } \\ { ees8\pd^( ges ces ees\pu) f, ees' } >> \once \override TextScript #'extra-offset = #'(0.0 . -1.6) bes,8\pd-\<( f' des' bes f' des-\! bes_\markup{\italic smorz.} f des bes f\pu ees) des\pd( aes' des aes' des, aes\pu) des,\pd( aes' des aeses' des, aes\pu) % measure 20 des,\pd( aes' c ges' c, aes\pu) des,\pd( aes' c ges' c, aes\pu) des,\pd( aes' c ges' c, aes\pu) des,\pd( aes' c ges' c, aes\pu) des,\pd( aes' ees' aes c, aes\pu) des,\pd( aes' des aes' des, aes) des,( aes' des aes' des, aes\pu) cis,\pd( a' cis g' cis, a\pu) d,\pd( a' d fis d a\pu) d,\pd( g d' g d g,\pu) % measure 25 d\pd( a' d fis d a\pu) g\pd( cis e bes'? e, cis\pu) aes?\pd( ees'? ges? beses aes aes,\pu) des,\pd( aes' des aes' des, aes\pu) des,\pd( aes' des aes' des, aes\pu) des,\pd( aes' des aeses' des, aes\pu) des,\pd( aes' c ges' c, aes\pu) des,\pd( aes' c ges' c, aes\pu) des,\pd( aes' c ges' c, aes\pu) des,\pd( aes' c ges' c, aes\pu) % measure 30 des,\pd( aes' ees' aes c, aes\pu) des,\pd( aes' des aes' des, aes) des,( aes' des aes' des, aes\pu) cis,\pd( a' cis g' cis, a\pu) d,\pd( a' d fis d a\pu) d,\pd( g d' g d g,\pu) d\pd( a' d fis d a\pu) g\pd( cis e bes' e, cis\pu) aes?\pd( ees'? ges? beses aes\pu aes,) des,\pd( aes' des aes' des, bes?\pu) % measure 35 aes\pd( ees' aes c aes ees\pu) aes,\pd( d f bes f d\pu) ges,\pd( bes ees bes' ees, bes\pu) ges\pd( c ees aes ees\pu c) f,\pd( aes des aes' des, aes\pu) des,\pd( aes' des aes' des, aes\pu) des,\pd( bes' ees g ees bes\pu) des,\pd( a' c ges' c,\pu aes) des,\pd( aes' des aes' des, aes\pu) cis,\pd( a' cis g' cis, a\pu) % measure 40 d,\pd( a' d fis d a\pu) d,\pd( g d' g d g,\pu) d\pd( a' d fis d a\pu) g\pd( cis e bes'? e, cis\pu) aes?\pd( ees'? ges? beses aes aes,\pu) des,\pd( aes' des aes' des, bes?\pu) aes8\pd( ees' aes c aes ees\pu) aes,\pd( d f bes f d\pu) ges,\pd( bes ees bes' ees, bes\pu) ges\pd( c ees aes ees\pu c) % measure 45 f,\pd( aes des aes' des, aes\pu) des,\pd( aes' des aes' des, aes\pu) des,\pd( bes' ees g ees bes\pu) des,\pd( a' c ges' c,\pu aes) des,\pd( aes' des aes' des, aes\pu) cis,\pd( a' cis g' cis, a\pu) d,\pd( a' d fis d a\pu) d,\pd( g d' g d g,\pu) d\pd( a' d fis d a\pu) g\pd( cis e bes' e, cis\pu) % measure 50 aes?8\pd( ees'? ges? beses aes\pu aes,) des,\pd( aes' des aes' des, aes\pu) des,\pd( aes' des aes' des, aes) des,( aes' des aes' des, aes\pu) des,\pd( aes' des aes' des, aes) des,( aes' des aes' des, aes\pu) des,\pd( aes' des aes' des, aes) des,( aes' des aes' des, aes\pu) des,\pd( aes' des aes' des, aes) des,( aes' des aes' des, aes\pu) % measure 55 des,\pd( aes' des aes' des, aes) des,( aes' des aes' des,\pu aes) des,\pd( aes' des aes' des, aes\pu) des,\pd( aes' des aes' des, aes\pu) des,\pd( aes' des aes' des, aes) des,( aes' des aes' des,\pu aes) des,\pd( aes' des aes' des, aes\pu) des\pd( aes' des aes des, aes) des( aes' des aes des, aes) des( aes' des aes des, aes) % measure 60 des aes' des aes des, aes des aes' des aes des, aes\pu des\pd aes' des aes des, aes des aes' des aes des, aes des aes' des aes des, aes des aes' des aes des, aes des aes' des aes des, aes des aes' des aes des, aes des( aes' des aes des, aes) des( aes' des aes des, aes) % measure 65 des( aes' des aes des, aes) des( aes' des aes des, aes) des( aes' des aes des, aes) des( aes' des aes des, aes) \once \override TextScript #'extra-offset = #'(0.0 . -1.0) des_\markup{\italic sempre \dynamic pp}( aes' des aes des,\pu) a\pd( des a' des a des,\pu) aes\pd( des aes' des aes des,\pu) ges,\pd( des' ges des' ges, des\pu) aes\pd( des aes' des aes des,\pu) a\pd( des a' des a des,\pu) a\pd( % measure 70 << { s8 s s s s bes4*1/2 des f s8 s s s } \\ \context Voice = "main" { des8 a' des a des,\pu) bes\pd( des f des' bes f' f,\pu) } >> bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' ees' a, f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( f' ees' a, f' f,\pu bes,\pd f' des' bes f' f,) bes,( f' des' bes f' f,\pu) % measure 75 bes,\pd( f' d' bes aes' bes,\pu) ees,\pd( ges ees' bes ges' ees\pu) c,\pd( g' e' c bes'\pu c,) f,\pd( c' \clef treble a' ees c' a\pu) \clef bass bes,,\pd( f' des' bes ees,\pu ges') << { s8 f,2 s8 } \\ { f,8\pd^( f' bes f' ees\pu a,) } >> bes,8\pd( f' des' bes ees,\pu ges') << { s8 f,2 s8 } \\ { f,8\pd^( f' bes f' ees\pu a,) } >> ges,8\pd( des' ges bes fes' ges,\pu) << { ees2 f4 } \\ { ees8\pd^( ges ces ees) f,\pu ees' } >> % measure 80 bes,\pd( f' des' bes f' f,\pu) bes,\pd( ges' ees' a, ges'\pu ges,) bes,\pd( f' des' bes f' f,\pu) bes,\pd( ges' ees' a, ges' ges,\pu) bes,\pd( f' des' bes f' f,\pu) bes,\pd( ges' a ces ees ges) \stemNeutral \clef treble a4 r4 r r2 \clef bass s8 s8\pu << { 2.( 4-. -. -.) } \\ { 2.\pd( 4-. -. -.\pu) } \\ { \stemDown s2. s4 s s8 ges''8*1/2 f % this is a kludge to get the eighth notes to the right of the others } >> % measure 85 1\arpeggio^\fermata_\fermata\pd s2\pu \bar "|." } % end of Voice context } %#(set-default-paper-size "letter") #(set-global-staff-size 19) \header { title = "Nocturne" dedication = \markup{à Madame Camilla Pleyel} composer = "F. Chopin" opus = "Op. 9, No. 1" arranger = "Edited by Rafael Joseffy" mutopiatitle = "Nocturne No. 1 in B-flat minor" mutopiacomposer = "ChopinFF" mutopiaopus = "Op. 9, No. 1" mutopiainstrument = "Piano" date = "1827" source = "Schirmer, 1915" style = "Romantic" copyright = "Creative Commons Attribution-ShareAlike 2.5" maintainer = "Benjamin D. Esham" maintainerEmail = "bdesham@gmail.com" lastupdated = "2005/Aug/07" footer = "Mutopia-2005/08/08-582" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2005. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } } } \score { \context PianoStaff << \set PianoStaff.instrument = \markup{\fontsize #4 {1.} \hspace #1.0 } \context Staff = "up" << \rightNotes >> \context Staff = "down" << \leftNotes >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1.2 } } \midi { \tempo 4 = 116 } }