% Enchanted Island, work for piano by Stephen C. Doonan, xscd@xscd.com \version "2.6.3" \include "english.ly" \paper { } \header { title = "Enchanted Island" composer = \markup \center-align { "Stephen C. Doonan" \small "(1952- )" } piece = \markup { "Moderato (" \tiny \note #"4." #0.75 \normalsize "= 95-105)" } % Mutopiaproject.org headers mutopiatitle = "Enchanted Island" mutopiacomposer = "DoonanSC" mutopiainstrument = "Piano" date = "1976" source = "Composer" style = "Jazz" copyright = "Creative Commons Attribution-ShareAlike 2.5" maintainer = "Stephen C. Doonan" maintainerEmail = "xscd@xscd.com" maintainerWeb = "http://www.xscd.com/pub/music/" lastupdated = "2005/Aug/05" footer = "Mutopia-2005/08/06-536" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2005. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } } } rightHandA = \relative c'' { \clef treble \key c \major \time 6/8 % numbers (like the "1" below), refer to measure numbers % 1 - intro, 8 measures r2. r2. r2. r2. % 5 r2. r2. r2. r2. % 9 - begin body of piece 2.~ ~ 4 % 13 2. 2.~ ~ % 17 2.~ ~ 4 % 21 2. 2.~ ~ % 25 - from C up to F 2.~ ~ 4 % 29 2. 2.~ ~ % 33 - back to C 2.~ ~ 4 % 37 2. 2.~ ~ % 41 - begin transition 2.~ 2. 4.~ 4 8~ 4.~ 4 bf'8 % 45 4 8~ 4.~ 2.~ 2.~ 2. % 49 2.~ 2. 4.~ 4 8~ 4.~ 4 bf'8 % 53 4 8~ 4.~ 2.~ 2.~ 2. % 57 transition, to Dminor 2. 4 4.~ 8 4 % 61 4.~ 4 8~ 4.~ 4 8~ 4.~ 4 8~ 2. % 65 2. 4 4.~ 8 4 % 69 - high walk-down, key from C to E-flat % 12 measures total in walk-down 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 r8 % 81 - now in key of E flat \key ef \major r4. 4 8~ 2. r4. 4 8~ 2. % 85 r4. 4 8~ 2. r4. 4 8~ 4.~ 4 ef'8 } % part B of right hand (of parts A, B, C) follows. Part B has two versions, % one for notation and one for MIDI output, because LilyPond % does not output appropriate MIDI data for tremolandos (chord tremolos) rightHandBnotation = \relative c'' { % 89 - ending section \repeat "tremolo" 12 { ef'32^\markup { \italic tremolando } ef, } \repeat "tremolo" 12 { ef'32 ef, } \repeat "tremolo" 12 { ef'32 ef, } ef'4 4 4 % 93 2.~ 4. bf8 f'8 g ef8~ ~ ~ 4.~ 4.~ 4 ef8 % 97 \repeat "tremolo" 12 { ef'32 ef, } \repeat "tremolo" 12 { ef'32 ef, } \repeat "tremolo" 12 { ef'32 ef, } ef'4 4 4 % 101 2.~ 4. bf8 f'8 g ef8~ ~ ~ 4.~ 4.~ 4 bf'8 % 105 #(set-octavation 1) \repeat "tremolo" 12 { bf'32 bf, } \repeat "tremolo" 12 { bf'32 bf, } \repeat "tremolo" 12 { bf'32 bf, } 4. 4. #(set-octavation 0) } rightHandBMIDI = \relative c'' { % 89 - ending section \times 12/14 { ef'16 ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, | ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, } ef'4 4 4 % 93 2.~ 4. bf8 f'8 g~ 8~ ~ ~ 4.~ 4.~ 4 ef8 % 97 \times 12/14 { ef'16 ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, | ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, ef' ef, } ef'4 4 4 % 101 2.~ 4. bf8 f'8 g~ 8~ ~ ~ 4.~ 4.~ 4 bf'8 % 105 \times 12/14 { bf'16 bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, | bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, bf' bf, } 4. 4. } rightHandC = \relative c'' { % 109 2.~ 2.~ 2.~ 4. 4 8~ % 113 2.~ 2.~ 2.~ 4. 4 8~ % 117 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4 8~ % 121 4. 4 8~ 4. 4 8~ 4. 4 8~ 4. 4. % 125 2.~ 4.~ 8\noBeam \set tieWaitForNote = ##t \times 2/3 { \once \override TextScript #'padding = #1.7 af16[~_\markup { \italic "l.h." } ef'~ af]~ } \times 2/3 { \tieUp bf[~ f' ef]~ } | 2._\fermata \bar "|." } leftHand = \relative c { \clef bass \key c \major \time 6/8 % 1 - intro, 8 measures 4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 5 c,4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 9, begin body of piece c,4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 13 c,4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 17 c,4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 21 c,4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 25 - from C up to F 4 << { s8 4 8~ } \\ { c8~ c4.~ } >> << { 4 } \\ { c4 } >> \oneVoice bf,8 b4 c8~ c4 bf8 b4 c8~ c4 bf8 b4 c8 % 29 f,4 << { s8 4 8~ } \\ { c8~ c4.~ } >> << { 4 } \\ { c4 } >> \oneVoice bf,8 b4 c8~ c4 bf8 b4 c8~ c4 bf8 b4 c8 % 33 - back to C c,4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 37 c,4 << { s8 4 8~ } \\ { g8~ g4.~ } >> << { 4 } \\ { g4 } >> \oneVoice f,8 fs4 g8~ g4 f8 fs4 g8~ g4 f8 fs4 g8 % 41 - begin transition, F f4 << { s8 4 8~ } \\ { c8~ c4.~ } >> << { 4 } \\ { c4 } >> \oneVoice bf8 b4 c8 f,4 << { s8 4 8~ } \\ { bf8~ bf4.~ } >> << { 4 } \\ { bf4 } >> \oneVoice bf8 c4 df8 % 45 f,4 << { s8 4 8~ } \\ { c8~ c4.~ } >> << { 4 } \\ { c4 } >> \oneVoice bf8 b4 c8 f,4 << { s8 4 8~ } \\ { c8~ c4.~ } >> << { 4 } \\ { c4 } >> \oneVoice bf8 b4 c8 % 49 4 << { s8 4 8~ } \\ { bf8~ bf4.~ } >> << { 4 } \\ { bf4 } >> \oneVoice bf8 c4 df8 4 << { s8 4 8~ } \\ { bf8~ bf4.~ } >> << { 4 } \\ { bf4 } >> \oneVoice bf8 c4 df8 %53 f,4 << { s8 4 8~ } \\ { c8~ c4.~ } >> << { 4 } \\ { c4 } >> \oneVoice bf8 b4 c8 f,4 << { s8 4 8~ } \\ { c8~ c4.~ } >> << { 4 } \\ { c4 } >> \oneVoice bf8 b4 c8 % 57 - transition, d minor 4 8 4 8~ 4 a,8 c4 d8 d,4 8 4 8~ 4 a,8 c4 d8 % 61 4 << { s8 4 8~ } \\ { d8~ d4.~ } >> << { 4 } \\ { d4 } >> \oneVoice d,8 f4 g8 g,4 << { s8 4 8~ } \\ { d8~ d4.~ } >> << { 4 } \\ { d4 } >> \oneVoice d,8 f4 g8 % 65 4 8 4 8~ 4 a,8 c4 d8 d,4 8 4 8~ 4 a,8 c4 d8 % 69 - high walk down, key modulates from C to E flat % left hand in walk down has two voices throughout << { s4. 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 8~ 4 r8 4 r8 } \\ { 4 c''8~ c4.~ c4 bf8~ bf4.~ bf4 bf8~ bf4.~ bf4 bf8~ bf4.~ bf4 bf8~ bf4.~ bf4 bf8~ bf4.~ bf4 bf8~ bf4.~ bf4 bf8~ bf4 r8 r4 ef,8~ ef4.~ ef4 ef8~ ef4.~ ef4 ef8~ ef4.~ ef4 ef8~ ef4 bf8 } >> % 81 - now in key of E flat, intro to end section \key ef \major 4 ef8~ 4~ 8~ 4.~ 4 bf8 ef,4 ef'8~ 4~ 8~ 4 bf8~ bf4 bf8 % 85 4 ef8~ 4~ 8~ 4.~ 4 bf8 ef,4 ef'8~ 4~ 8~ 4.~ 4 bf8 % 89 - ending section 4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf8 ef,4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf8 % 93 4 \tieDown bf''8~ \tieNeutral 4 8~ 4 8~ 4 bf,8 4 \tieDown bf'''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf8 % 97 - to A flat 4 \tieDown ef'8~ \tieNeutral 4 8~ 4 ef,8~ ef4 ef8 4 \tieDown ef'8~ \tieNeutral 4 8~ 4 ef,8~ ef4 ef8~ % 101 - back to E flat 4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf,8 4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf8~ % 105 - up to B flat 4 \tieDown f'8~ \tieNeutral 4 8~ 4 f,8~ f4 f8 4 \tieDown f'8~ \tieNeutral 4 8~ 4 bf8~ bf8 df8 ef8 % 109 - back in E flat ef,4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf8 ef,4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf,8 % 113 4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf8 ef,4 \tieDown bf''8~ \tieNeutral 4 8~ 4 bf,8~ bf4 bf8 % 117 << { s4. 4 8~ 4 r8 4 8~ 4 r8 4